With her debut LP, the Bon Iver tourmate sets out to challenge listeners’ notions of what the harp can do with synths, AM rock and funk. These songs, produced by John Congleton (St. Vincent, Future Islands, Angel Olsen, Alvvays), explore the idea of self-acceptance while sounding like gospel piano bursting into a wall of sound, illustrated most vividly by the lead single title track.

Contact: Spencer Roth-Rose