Khatia Buniatishvili Releases “Piano Concerto No. 20 In D Minor, K.466/II. Romance”  | Shore Fire Media

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11 October, 2024Print

Khatia Buniatishvili Releases “Piano Concerto No. 20 In D Minor, K.466/II. Romance” 

Khatia Buniatishvili Releases “Piano Concerto No. 20 In D Minor, K.466/II. Romance” 

From Mozart Album Out October 25

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“One of today's most exciting and technically gifted young pianists” 

THE GUARDIAN 

 

“... so effortless that the piano appeared to play itself.”

LOS ANGELES TIMES

 

OCTOBER 11, 2024 – Today, acclaimed French-Georgian pianist Khatia Buniatishvili has released new single “Piano Concerto No. 20 in D Minor, K.466/II. Romance” — the first glimpse into her upcoming Mozart album, out October 25th via Sony Classical.  

Listen to “Piano Concerto No. 20 in D Minor, K.466/II. Romance” HERE

Preorder Mozart HERE

Composed in 1785, Mozart’s ”Piano Concerto No. 20,” was the first concerto he wrote in a minor key, showcasing his ability to transform the piano concerto from mere entertainment to a deeply reflective form, filled with dramatic tension, joy, and loss. Echoing the moody atmosphere of his Don Giovanni overture—also in D minor—this piece is a landmark in his oeuvre. Buniatishvili’s interpretation adds a fresh dimension to this iconic piece.

Mozart’s music, says Buniatishvili, carries “a simplicity that makes you lost before finding yourself.” 

On her tenth album Mozart, Buniatishvil is joined by the iconic orchestra Academy of St. Martin in the Fields in performances of two of Mozart’s cherished piano concertos, her first-ever album dedicated to the composer. After a string of releases on Sony Classical that have redefined the parameters of the classical recital album, she is returning to tradition with a recording of two of Mozart’s most sublime late piano concertos — Nos 20 & 23.

The album also includes Mozart’s “Sonata facile“ or ”little sonata for beginners” in the pure and radiant C major — a deceptively simple piece that reflects the composer’s genius for blending elegance with playfulness.  

After strong statements in the music of Liszt, Schubert, Rachmaninoff, Chopin, Mussorgsky, and the folk music of her native Georgia, Buniatishvili is well placed to put her formidable pianism and fearless musical imagination in the service of Mozart’s singular combination of the human and the divine. 

Buniatishvili recorded Mozart at London’s Air Studios with the famed Academy of St Martin in the Fields — an orchestra whose interpretations of Mozart’s operas, symphonies, and concertos under the direction of Sir Neville Marriner became timeless classics — known for their 13 Gold Disc-winning soundtrack to the iconic film Amadeus.

Buniatishvili will play Mozart’s Piano Concertos Nos 20 and 23 around the world in the coming season, including, in December 2024, as part of her residency at the Barbican Centre in London, where she will be joined by the Academy of St Martin in the Fields. For more information, visit: https://www.khatiabuniatishvili.com/

 

ABOUT KHATIA BUNIATISHVILI

Renowned French-Georgian pianist, humanitarian, and Cartier ambassador (and mom, if applicable) Khatia Buniatishvili is a classical superstar. With more than 1.2 million Spotify listeners and 300K+ Instagram followers, her recordings and performances encompass an unparalleled depth and intensity, from the works of virtuoso pianist Chopin to collaborating with artists today like Coldplay and ASAP ROCKY. Khatia has also collaborated with top orchestras and conductors like the Los Angeles Philharmonic, San Francisco Symphony, Zubin Mehta, and Gustavo Dudamel. A recipient of two ECHO Klassik Awards, Khatia made her performance debut at age six with the Chamber Orchestra of Tbilisi, leading her to grace esteemed venues such as Carnegie Hall and London’s Royal Festival Hall. She is fluent in five languages. Khatia regularly participates in benefit concerts supporting refugees, human rights, and music education worldwide. She has been called the “Beyoncé of classical music" (France 2 / Le Petit Journal), "one of today's most exciting and technically gifted young pianists” (The Guardian) & “so effortless that the piano appeared to play itself” (Los Angeles Times).

 

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For more information, contact Rebecca Shapiro, Shannon Cosgrove, and Moya Crowley at Shore Fire Media

khatiapr@shorefire.com