Following the Meeting, the AI Symposium was kicked off by ASCAP Chief Strategy and Digital Officer Nick Lehman before launching into the first panel, “Navigating AI: Evolving Legal and Policy Frameworks.” The session went deep into the legal implications of how creators can protect their work as AI models proliferate, with panelists US Copyright Office Assistant General Counsel John Riley; Dan Schnapp of law firm Sheppard Mullin; and Paul, Weiss, Rifkind, Wharton & Garrison partner Katherine Forrest. The discussion was moderated by Shelly Palmer, CEO of The Palmer Group and Professor of Advanced Media in Residence at Syracuse University’s S.I. Newhouse School of Public Communications. During the hour-long panel, each speaker provided valuable insights into how the legal community and copyright experts are navigating the quick advancements of AI. “This is the most transformative moment that I’ve ever lived through,” said Forrest. “The velocity of change that we’re seeing is extraordinary. There’s great opportunity and also reasons to be cautious.”
The next panel was “How Creators Are Unlocking the Potential of AI.” Moderated by entrepreneur, author, and Collective Entertainment partner Emily White, the discussion turned attention from the legal questions of AI toward how creators can benefit and thrive using this technology. Panelists included ASCAP member and composer Derrick Skye, fellow member, educator and electronic instrument creator Douglas Geers, and CEO/Co-founder of WaveAI Maya Ackerman, and their discussion focused on both the exciting possibilities and creative challenges music-makers face in the dawn of this technological revolution. “One of the most amazing things about AI is the ability to explore the creative space of possibilities,” said Ackerman. “It fits with sitting there on the guitar or the piano. You seed it with some of your ideas and it just blows up the possibilities.”
The day closed with remarks from Matthews and Lehman. Photos from the full day (Annual Meeting, AI Symposium) can be found and downloaded HERE (Credit: Ryan Lash for ASCAP).
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