Director Sally Potter Recounts Looming Nuclear Apocalypse Through A Child’s Eyes On “Black and White Badge” | Shore Fire Media

17 May, 2023Print

Director Sally Potter Recounts Looming Nuclear Apocalypse Through A Child’s Eyes On “Black and White Badge”

Director Sally Potter Recounts Looming Nuclear Apocalypse Through A Child’s Eyes On “Black and White Badge”

The Latest Preview Of Debut Album Pink Bikini, Out July 14

Listen To “Black and White Badge” HERE

Today, Sally Potter shares “Black and White Badge,” the latest preview of her debut album Pink Bikini, set to release on July 14. Renowned for her exceptional talent as an award-winning film director, with notable works including the Oscar-nominated Orlando (1992), The Party (2017), and The Roads Not Taken (2020), Potter explains that Pink Bikini “chronicles some of the key moments of the turbulent female years of transition from childhood to young adulthood that I experienced growing up in the 1960s in London.” 

“Black and White Badge” tells the story of a young girl who is deeply concerned about the threat of nuclear apocalypse. She dreams of a world without violence and destruction but is haunted by the fear of the bomb falling. Performed in the manner of a 60s yé-yé ballad, it’s a masterful juxtaposition of a child’s naivete and the very real dangers of a world on the brink — an interplay that repeats itself in the 21st century as children learn about the threat to their planet from climate change. 

Listen to “Black and White Badge” here. 

Earlier this month, Potter released the album’s lead single and title track “Pink Bikini” which draws on the freewheeling spirit of her musical legacy and the ‘tell all’ nature of the album as a whole.

Says Potter:  “This song is based on actual events. When I was 16, I really did see a pink bikini in a shop window on the way to Victoria Station... Later, in the South of France, badly sunburned in my fruitless attempt to get a tan, I went to the local disco and afterwards “lay on the evening sand” with a French boy. It seemed romantic but led to trouble and despair as I experienced the cruel double standards of the time." 

Listen To Lead Single “Pink Bikini” Here

On Pink Bikini, Potter’s song-writing talents are quickly evident — one hears shades of Leonard Cohen, Françoise Hardy, Scott Walker, Marianne Faithfull and even more modern voices from Pete Doherty to Weyes Blood. While she’s accompanied by an assortment of collaborators — including guitarist extraordinaire Fred Frith (Robert Wyatt, Brian Eno), whose uniquely haunting sound has appeared on nearly all of Potter’s films from Orlando onwards — the vision is distinctively hers. 

Pre-order Pink Bikini here. 

About Sally Potter

Sally Potter’s films have won over forty international awards and received BAFTA and Academy Award nominations. Her 1992 breakthrough Orlando(1992) an adaptation of Virginia Woolf’s classic novel starring Tilda Swinton, was followed by The Tango Lesson (1996), The Man Who Cried (2000), Yes(2004), Rage (2009), Ginger & Rosa (2012), The Party (2017), and The Roads Not Taken (2020). Last September her short film Look At Me, starring Chris Rock and Javier Bardem, premiered at the Venice Film Festival last September. She was awarded an OBE in 2012 and her book Naked Cinema - Working with Actors is published by Faber & Faber. Her soundtrack albums have been released by major labels including Sony Classical, Deutsche Grammaphon, and Milan. You can listen to examples of her music for filmshere.

Potter had a life in music that predates her work as a composer for film. As a voice in the avant-garde scene of the late 1970s she was a member of the ground-breaking group FIG (Feminist Improvising Group) with whom she toured extensively in Europe. She also performed with Lindsay Cooper’s Film Music Orchestra and collaborated (as lyricist) with her on the song cycle OH MOSCOW, performing in the USSR and East Berlin in 1989, before the wall came down. From the 1990s Sally moved away from improvised music and focused on the precisely structured scores for her films.

 

Pink Bikini

Mama

Ginger Curls

Black and White Badge

Army of Teens

Hymn

Ghosts

Black Mascara

Flames

Pink Bikini

The Secret

One Day

Dance Girl Dance

 

Album Credits

Music & Lyrics by Sally Potter

 

Lead Guitar & Electric Bass: Fred Frith

Drums & Percussion: Paul Clarvis

Upright Bass: Misha Mullov-Abbado

Keyboards: Sally Potter

Acoustic Guitar: Laura Snowden

Acoustic Guitar: Giacomo Susani

Harp: Hattie Webb

 

Album Recorded at Jankowski SoundFabrik (Germany) and The Premises (London)

Engineering & Mixing by Peter Hardt

Vocal Engineering by Marie Ormes

Additional Mixing & Pre-Mastering by Marta Salogni

Mastered by Matt Colton

 

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