Tribeca’s The Development Gallery Announces New Exhibition The Classics By Jennifer Elster On View Through May 21st   | Shore Fire Media

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17 April, 2025Print

Tribeca’s The Development Gallery Announces New Exhibition The Classics By Jennifer Elster On View Through May 21st  

Includes David Bowie’s 1. Outside Artifacts, Yoko Ono Lyrics, Sunglasses Worn By Wu-Tang’s Redman, & More

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Thursday, April 17, 2025 (New York) - Today, The Development Gallery announces The Classics, a solo exhibition by multi-disciplinary artist, writer, filmmaker, musician, fashion designer, stylist, and third-gen NYC native Jennifer Elster. The exhibition is a retrospective of sorts, charting a journey through the artist’s complex and storied past.

On view until May 21st, The Classics unfolds as a visceral journey through the apocalyptic visions of a concerned, deeply attuned artist, evoking both wonder and unease at every turn. Elster’s work is the result of years of introspection, emotion, and urgent reflection on the state of the world. In the exhibition, Elster weaves together deeply personal experiences to create a body of work that grapples with global turmoil through raw, text-driven paintings, stark historical assemblages, and haunting photography; viewers are invited to piece each work to construct their own narrative—because in this show, everything is part of the story.

Every piece is infused with Elster’s dystopian sentimentality and piercing perspective, even dating back to her early work styling cultural icons such as David Bowie, Trent Reznor, Chloe Sevigny, Redman and Method Man from Wu-Tang, and Thurston Moore from Sonic Youth. Recently, Elster rummaged through her archive and found iconic artifacts from her early days as a stylist and is debuting this rare occasion with behind-the-scenes images and relics from of a young artist’s career and relish the journey they embody.

Left & Right: Behind the Scenes Photographs of David Bowie as Nathan Adler for his 1. Outside  album photo shoot in the Corsham Street Sessions. Photographs taken by Davide de Angelis on photographer John Scarisbrick’s set. Images from DEK magazine. Middle: Collared shirt worn by David Bowie as Nathan Adler, photographed by Jennifer Elster.

Several pieces on display are artifacts from the photo shoot for David Bowie's 1995 concept album 1. Outside, a dystopian narrative-driven project that marked a return to experimentalism in his work. Elster transformed him into the characters for the storyline of the album, in which the central character Detective Nathan Adler, a solver of “art crime,” is tasked with solving a murder. Such pieces include the collared shirt worn by Bowie as Detective Nathan Adler, the dress worn by Bowie as Baby Grace, a blazer he wore as shop owner Algeria Touchshriek, and a custom garment that was cut on Bowie by Elster, paired with a bullet belt and tights for the cult-like character Ramona A. Stone. 1. Outside album was photographed by John Scarisbrick.

Left: Behind-the-scenes photograph of Jennifer Elster and David Bowie as Baby Grace for his 1. Outside album. Photograph by John Scarisbrick. Right: Dress worn by  Bowie as Baby Grace sprawled on couch, photographed by Jennifer Elster,  courtesy of The Development Gallery.

On couch: Dress worn by  Bowie as Baby Grace. On wall: Blazer worn by Bowie as Algeria Touchshriek. On chair: Shirt worn by Bowie as Detective Nathan Adler. On dress form: Cut piece and bullet belt worn by  Bowie as Ramona A. Stone. All pieces styled by Jennifer Elster for 1. Outside album photoshoot. This photo by Jennifer Elster, courtesy of The Development Gallery.

Left & Right: Cape worn by Trent Reznor, currently on view in The Classics, photographed by Jennifer Elster, , courtesy of The Development Gallery. Middle: Trent Reznor styled by Jennifer Elster for Ray Gun magazine, photographed by Jana Leon.

Left: Trent Reznor styled by Jennifer Elster, Photograph by Christian Witkin. Right: Jumpsuit on view, photograph by Jennifer Elster, courtesy of The Development Gallery.

A pair of sunglasses, designed by Elster and worn by hip-hop legend Redman of Wu-Tang Clan for Trace magazine, and later by Sonic Youth's Thursdaton Moore for the cover of Paper Magazine, sit on a plinth.

Left: Redman of Wu-Tang Clan styled by Jennifer Elster. Photograph by Eric Johnson. Trace magazine. Middle: Sunglasses on view, photographed by Jennifer Elster, courtesy of The Development Gallery. Right: Thurston Moore of Sonic Youth styled by Jennifer Elster. Photograph by Judson Baker, Paper magazine.

The Classics also debuts Elster’s striking photographic series “America,” which is strewn throughout. The series reflects her deep, enduring love for the country—seen through the lens of a third-generation New Yorker. Optimism seeping through from these photographs  featuring  woods of Arizona, Wyoming, Pennsylvania, Florida, and New York, and their  diverse wildness.

Wildland, 2024. Photograph by Jennifer Elster.

The Classics confronts urgent global concerns through the lens of Elster’s own life-altering experiences—from witnessing the devastation of 9/11 up close to enduring the trauma of Hurricane Ida flooding her home while in it. These personal moments of crisis shape Elster’s piercing creative voice, which she channels into text-heavy paintings, gravely urgent historical assemblages, and haunting photographic series that double as both warnings and reflections on the state of the world. 

More highlights from The Classics include:

 

The Garden of Artifacts, photographed by Jennifer Elster. Courtesy of The Development Gallery.

 

THE GARDEN OF ARTIFACTS:

"The Garden of Artifacts" is a curated collection of Jennifer Elster’s most personal and meaningful objects, centered around a pewter chalice from her childhood. Among the highlights are rare costumes mentioned above and more.

Nearby, carefully arranged assemblages sit on cinder blocks, broken wood, and stacks of old books. These include deeply personal items such as a few of the unreleased lyric sequence cards Elster wrote and Yoko Ono vocalized; a photo of Elster’s late father placed next to a cassette of Bob Dylan’s Blood on the Tracks, the last gift he gave her; and branches collected from the yard of her grandfather, a harpist for the Metropolitan Opera House, on the day he died. A musician herselfElster’s recurring theme of music in the garden reflects her connection to memory, loss, and treasured moments from her life. 

In the past, visitors have described the experience of Elster’s exhibitions as a “fantastical dream;” others as a haunting immersion into a reality that is both terrifying and achingly beautiful. Through layered narratives of reminiscence and foresight, Elster invites viewers to confront their inner landscapes—and, ultimately, the shared truth of our collective now.

THE WALL OF PAINTINGS:

 

The Wall of Paintings, photographed by Jennifer Elster. Courtesy of The Development Gallery.

Located at the entrance of the 4,000-square-foot gallery is The Wall of Paintings—a striking collection of Elster’s works spread across a 16-foot wall, centered around a piece titled “Mad Face.” The wall bleeds into nearby collections of warnings and questions prompted by the artist to express her desperation to communicate. Further on, massive scans of the artist’s skull grin creepily from the walls as molds of the artist’s teeth leer atop a nearby wooden stool.

WARFARE:

The Warfare series, photographed by Jennifer Elster. Courtesy of The Development Gallery.

The Warfare series delivers a stark reminder of the fragility of life in today’s world. It features unsettling self-portraits of Elster wearing a gas mask and protective suit—visual expressions of fear and urgency. These works form a powerful pattern of alarm, urging viewers to confront the realities of global crisis. Amid the echoes of past warnings, Elster’s distinct blend of dark optimism and sly humor resonates throughout the space.

The Warfare series, photographed by Jennifer Elster. Courtesy of The Development Gallery.

THE WAKE THE F*CK UP SHOW:

The Wake The F*ck Up Series, photographed by Jennifer Elster. Courtesy of The Development Gallery.

The Wake The F*ck Up series presents a series of hand-lettered text paintings, all rendered in bold black lettering on white canvases that date back to 2016. The works confront collective anxieties with urgent phrases like “Beware of Reality,” “What’s Really Going On?” and “When Is It Enough? When We’re Dead?”—capturing a raw, unfiltered response to the state of the world.

The Development Gallery is a 19th-century structure in Tribeca currently featuring multiple stand-alone installations within one overarching exhibition made by artist Jennifer Elster. Located in NYC at 75 Leonard Street, between Church and Broadway, the gallery is open to the public from Monday - Saturday from 1pm to 6pm.

 

PRAISE FOR ARTIST JENNIFER ELSTER:

"Mysteries abound in the work of Jennifer Elster."

— The Observer

 

"...she feels the wider, macro pain and trauma of the world deeply."

— Whitehot Magazine

 

"Simply Magnificent."

— Huffington Post

 

"Touching Performances"

— Whitewall

 

“Part of a larger online puzzle”

— New York Magazine

 

ABOUT JENNIFER ELSTER

Jennifer Elster is a native New Yorker, critical thinker, artist, writer, director, filmmaker, photographer, musician, and performer who offers a deep and direct awareness of the human condition and our current world crises. Elster grew up in the art scene in NYC, performing in her early youth. Elster approaches her art with an untrained, raw, and aggressive style all her own, often using sharp diction, visual art, and performances to convey our times and our struggles. She applies her instinctual problem-solving skills and innovative thinking to shed new perspectives on pressing issues, evident in her notable solo exhibitions, including The Retrospective of an Extroverted Recluse, The Wake the F*ck Up Show, Take Heed, and QUITE A BITE. Each exhibition has interwoven various forms of media, such as photography, video, performance art, and painting. Beginning in childhood, her first obsessions were with writing and the workings of the mind, which led her to earn an honors degree in writing and psychology at NYU while styling cultural icons like David Bowie, Trent Reznor, and Chloe Sevigny. Elster then transitioned into filmmaking, where her written and directorial feature film work debuted at Village East, played on Sundance Channel and Netflix premiered at Tribeca Film Festival, and garnered recognition and awards. Her next filmmaking project...In the Woods (and Elsewhere), features compelling subjects such as Questlove, Alan Cumming, and the late Karen Black, with vocalizations performed by Yoko Ono. The production has spanned over two decades. The precursor, her online audio-visual excursion, ItW Pathway, featuring Will Shortz, Terrence Howard, Temple Grandin, and the late Glenn O’Brien, was considered an innovation to online experiences. Elster’s work has been featured in many publications including The Art NewspaperRolling Stone, and New York Magazine, as well as at venues such as The Development, the New Museum, and Grand Central Station. She has performed her original music at several NYC venues when compelled to emote. Elster is the founder of The Development, a gallery, film, and art studio in New York City.

Photograph of Jennifer Elster taken by Ron Len in her The Classics exhibition at The Development Gallery.

JENNIFER ELSTER ON THE WEB:

Website

Art Store

J. ELSTER Store

Instagram

YouTube

Spotify

Apple Music

 

ABOUT THE DEVELOPMENT GALLERY

The Development Gallery occupies the ground floor at 75 Leonard Street in an historic Cast-Iron building located in TriBeCa, with 4,300 square feet, 17 foot ceilings, & Corinthian columns. Curated by artist Jennifer Elster, the gallery brings back the old school art vibe with a ahead of its time vision & is lauded for its multi-media exhibitions; dynamic performance artwork, talented musicianship, & special guests which run the gamut from the underground to public icons. Contemporary art.

 

ABOUT J.ELSTER DESIGN SHOP

Continue your fashion exploration through J. Elster, her raw luxury clothing and accessory collections defined by unfinished edges, jagged lines, and unexpected cuts—hallmark elements of her original design philosophy. Each piece is meticulously handmade in New York City, reflecting the artist’s uncompromising creative vision. The store is in the gallery.

 

ADDRESS: 75 Leonard Street, between Church and Broadway,

HOURS: Monday - Saturday from 1 pm to 6 pm

 

THE DEVELOPMENT GALLERY ON THE WEB

https://www.channelelster.com/art-gallery

Instagram

Facebook

 

FOR MORE INFORMATION, PLEASE CONTACT TheDevelopmentGalleryPR@shorefire.com