Shore Fire Media


Analogue Productions Unveils Definitive UHQR Vinyl Editions of Sonny Rollins’ Way Out West and Art Pepper’s Meets The Rhythm Section

Limited to 2,750 Numbered Copies — 200-gram Clarity Vinyl — Mastered AAA from the Original Analog Tapes by Bernie Grundman

Go Behind the Scenes With Acoustic Sounds: 

Watch the New Video on These Groundbreaking Releases

Pre-Order Way Out West and Art Pepper Meets The Rhythm Section, Available August 15

 

 

 

Two of the most iconic West Coast jazz recordings return in definitive form: Way Out West by Sonny Rollins and Art Pepper Meets The Rhythm Section, now available as Ultra High Quality Record (UHQR) editions for pre-order via Analogue Productions. Pressed on 200-gram Clarity Vinyl at Quality Record Pressings and cut at 45 RPM for the highest fidelity possible, these limited editions—each capped at 2,750 numbered copies—are mastered AAA directly from the original analog tapes by legendary engineer Bernie Grundman.

Pre-order now to secure your copy of these collector-grade reissues.

Each deluxe package includes a booklet with new liner notes by John Koenig—son of Contemporary Records founder Lester Koenig—and is housed in visually striking, meticulously crafted jackets befitting these jazz landmarks. From the first spin, listeners will be immersed in a heightened soundstage that brings new depth, warmth, and dimensionality to two of the genre’s most celebrated albums.

Originally released in 1957, Way Out West marked Sonny Rollins’ first recording for Contemporary Records—and an instant classic that redefined jazz improvisation. Captured in the early morning hours by legendary engineer Roy DuNann, the session featured Ray Brown on bass and Shelly Manne on drums (neither of whom Rollins had played with before). The trio's spontaneity and creative freedom, combined with DuNann’s pristine, high-fidelity recording, turned this session into a genre-defining moment. Highlights include the irreverent swing of “I’m an Old Cowhand (From the Rio Grande),” the title track’s cinematic elegance, and Rollins’ harmonic daring in a trio format that allowed his saxophone to roam unbounded. Widely cited as one of the greatest saxophone trio albums of all time, Way Out West earned 5 stars from AllMusic, is featured in Rolling Stone’s Jazz Record Guide, and was praised by Pitchfork as “an album that looks like a novelty and sounds like transcendence.”

Also recorded in 1957 and released by Contemporary Records, Art Pepper Meets The Rhythm Section stands as a spontaneous masterwork. The alto saxophonist’s landmark collaboration with Red Garland (piano), Paul Chambers (bass), and Philly Joe Jones (drums)—the powerhouse rhythm section from Miles Davis’ first great quintet—was reportedly thrown together with little preparation: Pepper found out about the session that same day and played on a poorly maintained horn. But against the odds, he delivered one of his most lyrical and emotionally vivid performances. AllMusic calls the album “a diamond of recorded jazz history,” while The Penguin Jazz Guide praises it as “a poetic, burning date... Between them, they’d delivered a masterpiece.”

Each UHQR release represents the highest standard in audiophile vinyl production. Pressed on 200-gram Clarity Vinyl—free of carbon black impurities for lower noise, enhanced dynamics, and exceptional tonal purity—these records deliver a level of sonic fidelity that’s unmatched. The 45 RPM format allows for wider grooves, reducing distortion and improving high-frequency detail, while mastering legend Bernie Grundman has cut each release AAA directly from the original analog master tapes. Manufactured at Quality Record Pressings, the industry’s premier pressing plant, and housed in deluxe tip-on jackets with a full-color booklet of new liner notes, these UHQR editions are as visually stunning as they are sonically impeccable.

These new UHQR editions of Way Out West and Art Pepper Meets The Rhythm Section present two cornerstone jazz albums with exceptional clarity and care. Meticulously crafted and sonically stunning, they’re essential additions to any serious vinyl collection.

ABOUT ACOUSTIC SOUNDS

For over forty years, Acoustic Sounds has championed the art of vinyl, reissuing historic recordings with the utmost care and precision. The company was founded by Chad Kassem, whose unlikely journey from a small apartment-based vinyl resale operation to the helm of the world’s largest vertically integrated vinyl production facility has transformed the high-end audio industry. His Salina, Kansas-based company houses Acoustic Sounds in its entirety, a reissue label (Analogue Productions), state-of-the-art pressing plant (Quality Record Pressings), a mastering facility (The Mastering Lab at Acoustic Sounds), a recording studio and concert venue (Blue Heaven Studios), print shop (Consolidated Printing) and original recordings label (APO Records). Kassem’s relentless dedication to sound quality and preservation of historical recordings has made Acoustic Sounds a trusted source for high-fidelity music. Today, the company presses over a million records each year, bringing legendary labels and artists—from Verve, Impulse, Atlantic and Contemporary Records, to John Coltrane, Jimi Hendrix, Steely Dan and The Doors—as they’ve never been heard before to fans worldwide. Chad Kassem’s commitment to excellence has redefined the boundaries of high-quality vinyl production and built an empire grounded in authenticity and quality.

FOR PRESS INQUIRIES:

Lena Wright / lwright@shorefire.com

Matt Hanks / mhanks@shorefire.com

acousticsounds@shorefire.com