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TONY® Award-Nominated Broadway Actress, Singer & Writer Melissa Errico Shares Two-Song Bundle: “I Can Dream, Can’t I?” / “I Didn’t Know About You”

From New American Songbook Album ‘I Can Dream Can’t I?’ Out January 30, 2026

TONY® Award-Nominated Broadway Actress, Singer & Writer Melissa Errico Shares Two-Song Bundle: “I Can Dream, Can’t I?” / “I Didn’t Know About You”

“The Maria Callas of American musical theater” – Opera News

“One of a kind performer” – The Wall Street Journal

“Ethereal, gorgeous, elegant, popular...with inward emotion and real artistry.” – The New York Times

October 10, 2025 – Tony® Award–nominated Broadway actress, singer and author Melissa Errico (My Fair Lady, Les Misérables, High Society) unveils a new two-song bundle — “I Can Dream, Can’t I?” and “I Didn’t Know About You” — continuing the song-by-song rollout from her forthcoming American Songbook album I Can Dream, Can’t I?, out January 30, 2026. Listen HERE.

Composed by Duke Ellington with lyrics by Bob Russell, “I Didn’t Know About You” began life as an instrumental recorded in 1942 under the title “Sentimental Lady.” The song soon found its words and has since been shaped by great interpreters including Joya Sherrill (who made the first vocal recording in 1944), Jo Stafford, and Lena Horne. The accompanying lyric video, directed by Matthew Edginton, playfully weaves vintage tennis imagery — including a final shot of Errico’s husband, tennis champion Patrick McEnroe, playing — into the song’s flirtatious reverie. Watch the lyric video HERE.

Of the track, Melissa shares”I knew right away I wanted to sing it. If ever there was a song about kindred souls, it’s this one. Sometimes we think life is about running around and all we notice are the crowds around us. Zelda Fitzgerald, whom I portrayed in a play this year, once said “Youth doesn’t need friends— it only needs crowds” Well, you get older and if you’re lucky, you suddenly come eye to eye with love. Then, the crowd fades away; and happiness sits down with you at the table. Or, well, maybe the pillow!”

About the video’s tennis motif, Melissa says:“I followed my intuition in asking my director (Matthew Edington) to insert some vintage tennis scenes into our lyric video. Maybe because I fell in love myself with a tennis player? Maybe because it felt flirty. Maybe because tennis, like chess, like life— is about finding that rare window of opportunity.”

Musing on the project as a whole, Melissa added: “Like my title track, this Duke Ellington song feels like an intimate conversation. There’s something internal about it, ending in a sly smile. It’s another song sung in confidence, in complicity. In fact, all the songs we chose for this album are just that: whispered exchanges, sometimes whispered to oneself. Words that I think Sondheim, too, might have liked — emotions caught between happiness and sadness: stories of people bemused, disillusioned, titillated, longing — those subtle shades of real life. An obstacle course run by adults.”

The two-song bundle follows the release of the first single from the upcoming album — a dazzling rendition of the American Songbook gem When In Rome (I Do As The Romans Do), and the official lyric video for the title track I Can Dream, Can’t I?

Accompanied by Tedd Firth on piano, I Can Dream Can’t I? is a collection of standards that are not standard. Though many of the songs are familiar, even classics, they evade the usual categories of American music: the torch song, the ‘I want’ number, the patter-comedy turn, the wash-that-man-out-of-my-hair song. An intuitively discovered body of work, these are songs of conversation and reflection, songs that ask themselves questions privately, more than they declare their desires loudly and publicly.

Here are songs of self-reliance and self-reflection, often sad, even when the feelings resolve in equipoise. These songs are drawn from what Melissa calls “the field of poppies from which sprang Sondheim’s opium.” Errico’s years singing Sondheim, in the ever-extended Sondheim project, have brought her a new and unusual delicacy with the standards. Her diction, her clarinet of a voice, and all the skill learned in the classroom of the self-conscious ironies and comma-bound contradictions of Sondheim, are applied to rediscover the emotional resources of the American Songbook.Music by Frank Loesser, Cy Coleman, Duke Ellington, Peggy Lee, Van Heusen, Rodgers & Hart, Jerome Kern, Sammy Fain, Dave Frishberg, Dori Caymmi, and Joni Mitchell. Words by Carolyn Leigh, Dorothy Fields, Alan & Marilyn Bergman, Oscar Hammerstein, Johnny Burke and more.

In the end, I Can Dream Can’t I? is a nuanced and powerful view into the American Songbook through Melissa’s own individual lens. Check out the full track listing below.

So far, 2025 has been a landmark year for Errico. She made her London concert hall debut at Cadogan Hall with Sondheim in the City Live!, earning a standing ovation and recently joined Alec Baldwin for a performance in East Hampton, NY during “The Fitzgeralds: A Reading with Music.” This fall, she launches two new live projects: “The Life and Loves of a Broadway Baby” shows in Detroit, MI on October 11th, and The Streisand Effect in November, performing alongside Barbra Streisand’s band in Long Beach, CA and New York, NY. See all tour dates (including a holiday tour) and ticket links HERE.

Stay tuned for more music and announcements from Melissa Errico coming soon. 

 

I Can Dream Can’t I? Tracklist

1. When In Rome (I Do As The Romans Do)

(In the Name of Love, 1964)

Music by Cy Coleman, Lyrics by Carolyn Leigh

 

2. I Can Dream, Can’t I?

(Right This Way, 1937)

Music by Sammy Fain, Lyrics by Irving Kahal

 

3. I Didn’t Know About You

(1944)

Music by Duke Ellington, Lyrics by Bob Russell

 

4. There’ll Be Another Spring

(Beauty and the Beat, 1959)

Music & Lyrics by Peggy Lee, Contributions: Hubie Wheeler

 

5. But Beautiful

(The Road to Rio, 1947)

Music by James Van Heusen, Lyrics by Johnny Burke

 

6. Dancing On The Ceiling

(Evergreen, 1930)

Music by Richard Rodgers, Lyrics by Lorenz Hart

 

7. Remind Me

(One Night in the Tropics, 1940)

Music by Jerome Kern, Lyrics by Dorothy Fields

 

8. Like A Lover

(Look Around, 1967)

Music by Dori Caymmi, Lyrics by Alan & Marilyn Bergman

 

9. Spring Will Be A Little Late This Year

(Christmas Holiday, 1943)

Music & Lyrics by Frank Loesser

 

10. All In Fun

(Very Warm for May, 1939)

Music by Jerome Kern, Lyrics by Oscar Hammerstein

 

11. Listen Here

(1979)

 Music & Lyrics by David Frishberg

 

12. Both Sides Now

(Clouds, 1966)

Music & Lyrics by Joni Mitchell 

 

Bonus Track:

13. After You, Who?

(Gay Divorce, 1932)

Music & Lyrics by Cole Porter

 

Tour Dates

10/11 - Detroit, MI - The Cube (2 shows)

10/23 - New York, NY - Jazz at Lincoln Center

11/12 - Long Beach, CA - Carpenter Center of Performing Arts

11/13 - Long Beach, CA - Carpenter Center of Performing Arts

11/19 - New York, NY - 54 Below

11/20 - New York, NY - 54 Below

11/21 - New York, NY - 54 Below

11/22 - New York, NY - 54 Below

12/10 - Erie, PA - Walker Recital Hall

12/12 - New Hope, PA - Bucks County Playhouse

12/13 - Brookville, NY - Tilles Center - Krasnoff Theater

12/15 - Austin, TX - Parker Jazz Club

12/16 - Hollywood, CA - Catalina Bar & Grill

12/18 - New York, NY - The Century Association

About Melissa Errico

Actress, recording artist and writer Melissa Errico has been called, at her Carnegie Hall debut in 2022, “a unique force in the life of the New York theater-- there’s no one quite like her!” A Tony-nominated actress for her mentor Michel Legrand’s “Amour” on Broadway - and star of such Broadway musicals as “My Fair Lady”, “High Society”, “White Christmas”, “Les Misérables” & more— she has come into her distinct own in recent years with concerts and cabarets touring the world that spin together vital and witty talk with the sublime singing that had Opera News dub her “The Maria Callas of the American musical theater.” Stephen Sondheim and Legrand, among others, have been the subjects of her solo concerts – her 2019 album “Sondheim Sublime” was called, by the Wall Street Journal, “The finest solo Sondheim album ever recorded”. She is touring her new album, the acclaimed “Sondheim in the City” —culminating in her London solo concert hall debut at Cadogan Hall on July 12, 2025. This past spring, Errico debuted The Story of a Rose: A Musical Reverie on The Great War at the Rachel M. Schlesinger Concert Hall in Alexandria, VA. Produced by The Doughboy Foundation in partnership with the Gary Sinise Foundation, the one-woman concert blended song, narration, and period detail to illuminate World War I through the lens of her great-aunt Rose, a Ziegfeld Follies performer. With musical direction by Tedd Firth and featuring Broadway’s George Abud, the performance brought to life the voices and songs of a generation shaped by the war. She has also recently appeared as Mrs. Patrick Campbell in the play “Dear Liar” at the Irish Rep and premiered the role of Eleanor of Aquitaine last fall in an unforgettable concert at the Metropolitan Museum’s Cloisters, singing a new David Shire/ Adam Gopnik musical penned for her. In addition, she writes regularly about the comic twists and turns in the life of a performer for The New York Times, in a series dubbed by the newspaper “Scenes From An Acting Life.” From Paris, where she appeared last summer with her frequent concert mate Isabelle Georges at the Bal Blomet, to London, where she is a regular at Crazy Coqs cabaret – from the Elysée Palace to the stages of the Grand Rex, Montreal Jazz Festival and Carnegie Hall – she brings her inimitable mind, spirit, voice and soul to audiences around the world. She has also recently appeared as Zelda Fitzgerald opposite Alec Baldwin as F Scott in “The Fitzeralds” at Guild Hall, as Mrs. Patrick Campbell in the play “Dear Liar” at the Irish Rep and premiered the role of Eleanor of Aquitaine last fall in an unforgettable concert at the Metropolitan Museum’s Cloisters, singing a new David Shire/ Adam Gopnik musical penned for her. In October, she was featured in the worldwide livestream celebrating Peter Yarrow, singing a duet with Noel Stookey, in an evening featuring Joan Baez and Judy Collins.

 

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For more information contact Shore Fire Media’s Rebecca Shapiro & Moya Crowley:

melissaerricopr@shorefire.com